<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" >

<channel><title><![CDATA[ELECTRONIC COTTAGE - Lord Litter]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter]]></link><description><![CDATA[Lord Litter]]></description><pubDate>Tue, 18 Nov 2025 20:04:44 -0500</pubDate><generator>Weebly</generator><item><title><![CDATA[..... Lord Litter's Last Loutishness .....]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/-lord-litters-last-loutishness]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/-lord-litters-last-loutishness#comments]]></comments><pubDate>Mon, 16 Dec 2019 10:12:37 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/-lord-litters-last-loutishness</guid><description><![CDATA[Preface         Sorry, I simply can't keep my mouth shut. But this may well be the last time, here at the once wonderful ELECTRONIC COTTAGE. It is about time to make some definite statements.Once upon a time it was a thrilling and inspiring moment to follow the ELECTRONIC COTTAGE link, the one I have on my link list. The link list that takes me to my carefully choosen positive parts of the internet, the internet that in general became a dirty world of horror, pain and exploitation. I had found s [...] ]]></description><content:encoded><![CDATA[<h2 class="wsite-content-title"><font size="5">Preface</font><br /></h2>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/ec-anniversary_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:justify;">Sorry, I simply can't keep my mouth shut. But this may well be the last time, here at the once wonderful ELECTRONIC COTTAGE. It is about time to make some definite statements.<br /><br />Once upon a time it was a thrilling and inspiring moment to follow the ELECTRONIC COTTAGE link, the one I have on my link list. The link list that takes me to my carefully choosen positive parts of the internet, the internet that in general became a dirty world of horror, pain and exploitation. I had found some nice, informative, truly independent isles to visit. One was ELECTRONIC COTTAGE.<br /><br />Today a visit to ELECTRONIC COTTAGE leads to a feeling between sadness and being reminded on the negative. Lets face it - the original ELECTRONIC COTTAGE was murdered by FACEBOOK.<br /><br />The very moment the EC FACEBOOK group was established, ELECTRONIC COTTAGE started to die a quite sudden death.<br /><br />A generally accepted attitude towards social media should be known. More and more articles in the normal mainstream press define what would have to happen, to make social media a positive aspect of human society.<br /><br />It is recognized that the current state of social media&nbsp; is spreading hatred and and even homicide. Every picture sent to grandma via FACEBOOK supports and consolidates this state. Every move in FACEBOOK may kill something outside of FACEBOOK. Either a politician, as it happened in Germany, or a small alternative online magazine, as it happened with ELECTRONIC COTTAGE.<br /><br />As usual, those responsible do not react, so the situation gets worse and worse. Remember 50 years ago it was already obvious that we have to change our behaviour towards the nature of planet earth ... nothing happened - it continues to be exploited.<br /><br />I just always have to move on. I'll delete the ELECTRONIC COTTAGE link from my link list. I don't want to be reminded on the negative of today on a daily basis - I'll keep looking for the positive minded alternatives.<br /><br />There is always a alternative - I wish more people would realise and act. I'm moving on ...<br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/ec-anniversary-2_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph"><em>If you want to find out what the world lost, visit this link at archive.org's Waybackmachine - <a href="https://web.archive.org/web/20190404123255/https://www.electroniccottage.org/" target="_blank">https://web.archive.org/web/20190404123255/https://www.electroniccottage.org/</a></em><br /><br /></div>  <h2 class="wsite-content-title"><font size="5">General</font><br /></h2>  <div class="paragraph">I receive more and more unpersonal bulk mail. Zillions of *very important* musicians and labels with new releases offering download for airplay. I'm not going down that road.<br /><br />Instead I'll adjust my work to the many good/timless quality physical releases I received in recent years that I still regard as *new* releases.<br /><br />So if you send a physical release (which I know is a financial effort!) you can be sure it will get a very long time of *promotion* here - any sound, any style.<br /><br />A good example of what happened to the so called *independent / alternative* scene in recent years, is the development of *The Indie Bible* ( <a href="https://indiebible.com/" target="_blank">https://indiebible.com/</a> ), which was a great idea in the beginning. I remember the CD David Wimble (who later founded The Indie Bible) sent in 1999. A fresh, unique, non-fashion folky sound. David realised that it would be very important to have a source to give the *indie* musicians contacts needed. Venues, labels, radioshows etc. The first editions of the Indie Bible reminded me on my own address collections I sent out in the 80s/90s. It all was very sympatico and I wrote articles for the Bible for free.<br /><br />Look at the Indie Bible today - a big biz kind of internet venue, that keeps sending countless reminders on biz related subjects. The more I received this, the more I was repulsed from this developement in the now *so called* indie/alternative world.<br /><br />I fully understand that you all want to make your music heard (and sell it) but as usual something is going very wrong these days. Everything seems *bigger/better/more/more/more* orriented, which always was a misslead way.<br /><br /><em>I'm not really judging anything here - if you want to go *big*, there seem to be ways on today's internet. If you want to go *personal* with your music - come to me.</em><br /><br /></div>  <h2 class="wsite-content-title"><font size="5">Radio</font><br /></h2>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/radio-marabu_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph">I stopped&nbsp; cooperating with KWTF.net. After some incidents that made a closer communication important, I tried to establish this ... and it did not work at all. No real cooperation possible without any communication. So after producing a weekly show for the station for 8 years, they became the biggest disappointment I ever experienced in the *alternative underground*.<br /><br />So I decided to start producing a monthly second hour for <strong>Radio Marabu</strong> ( <a href="http://www.Radio-Marabu.de" target="_blank">http://www.Radio-Marabu.de</a> ). A reliable station in Germany. I'm cooperating with them since the early 1990s. This second hour will often have a special *theme*.<br /><br />Plus there is sure still the more bizarre/experimental_ish Lord Litter's <strong>Radio On Berlin</strong> show ( <a href="http://www.Radio-On-Berlin.com" target="_blank">http://www.Radio-On-Berlin.com</a> ), which gives me space to explore.<br /><br /><em>All shows will be also made available via archive.org - <a href="https://archive.org/details/@lord_litter" target="_blank">https://archive.org/details/@lord_litter</a></em><br /><br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/radio-on-berlin-modified_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <h2 class="wsite-content-title"><font size="5">Music</font><br /></h2>  <div class="paragraph">My own (solo) music is still on some kind of almost hiatus. It seems after 40 years I perhaps need some kind of break ... but ... then it probably just slowed down a bit. Forthcomming is a release with <strong>Didier Leboz</strong> - <em>it will be an electroacoustic concept work about the update times in german langugage.</em> We were in <strong>Das Freie Orchester</strong> (DFO) in the 90s. I joined the band the day the wall came down in Berlin ( DFO movie: <a href="https://de.wikipedia.org/wiki/Das_freie_Orchester_(Film)" target="_blank">https://de.wikipedia.org/wiki/Das_freie_Orchester_(Film)</a> - DFO music with and without me: <a href="https://soundcloud.com/dasfreieorchester" target="_blank">https://soundcloud.com/dasfreieorchester</a> ). <em>Plus I have produced all kind of experimental_soundscape compilation tracks for cassette/cd-r releases for labels like <strong>STAALTAPE </strong></em>( <a href="http://staaltape.com/" target="_blank">http://staaltape.com/</a> ).<br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/staaltape_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph"><strong>PS:</strong> <em>After sending out parts of this with my emails, I received some very fine in depth reactions by a small dedicated crew -&nbsp; the *alternative* is alive. You know my email address - I'm here!</em><br /></div>]]></content:encoded></item><item><title><![CDATA[..... LORD LITTER'S RADIO ON SHOW 2019 / 6 .....]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/-lord-litters-radio-on-show-2019-6]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/-lord-litters-radio-on-show-2019-6#comments]]></comments><pubDate>Sat, 09 Nov 2019 11:00:44 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/-lord-litters-radio-on-show-2019-6</guid><description><![CDATA[Another Radio-On-Berlin show with many Electronic Cottage related artists. It was on daily rotation in september 2019 and will be occasionally repeated.The show starts with Jens Fischer Rodrian, Berlin musician, who is member of countless (some quite known) projects and bands. He was the one to organise the Shared Night concert series here in Berlin that I hosted from 2006-2011.The concept was to present professional musicians with the music they loved to play and not the music they had to play  [...] ]]></description><content:encoded><![CDATA[<div class="paragraph">Another Radio-On-Berlin show with many Electronic Cottage related artists. It was on daily rotation in september 2019 and will be occasionally repeated.<br><br>The show starts with Jens Fischer Rodrian, Berlin musician, who is member of countless (some quite known) projects and bands. He was the one to organise the Shared Night concert series here in Berlin that I hosted from 2006-2011.<br><br>The concept was to present professional musicians with the music they loved to play and not the music they had to play to earn a living. So we saw from&nbsp; traditional Jazz to slide-show accompanied saxophone improvisations everything you can imagine. It was a great time. The concept came to an end when work and financial effort became *overwhelming*.<br><br>In the beginning I opened the night with own songs played on the acoustic guitar. Later I *invented* a suitcase-theatre, which means I came on stage with a suitcase. While taking several props out of the suitcase a pre-produced soundtrack told a story that I *played* with these props - some kind of pantomime with soundtrack ... all done by yours truly .. very inspiring times!<br><br>I hope you like the show.<br><br><a href="http://www.Radio-On-Berlin.com" target="_blank">http://www.Radio-On-Berlin.com</a><br></div><div><div class="wsite-image wsite-image-border-none" style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/jens-fischer-rodrian_orig.jpg" alt="Picture" style="width:auto;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div><div><div id="500786265511362725" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><iframe src="https://archive.org/embed/lord_litters_radio_on_show_2019_6" width="500" height="40" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen=""></iframe></div></div><div class="paragraph" style="text-align:center;"><a href="https://archive.org/details/lord_litters_radio_on_show_2019_6" target="_blank">https://archive.org/details/lord_litters_radio_on_show_2019_6</a><br></div><div class="paragraph"><strong>1. Jens Fischer Rodrian</strong> - Der Fisch<br><strong>2. Jens Fischer Rodrian</strong> - Seelen schweben<br><strong>3. Jens Fischer Rodrian</strong> - Das Gl&uuml;cksglas<br><strong>4. Jens Fischer Rodrian</strong> - Was bleibt<br>1-4 - CD - Wahn&amp;Sinn - <a href="https://www.fischer-wahn-und-sinn.com" target="_blank">https://www.fischer-wahn-und-sinn.com</a><br><br><br><strong>5. Dereck Higgins, Bret H. Hart</strong> - Grasping the Nettle - CD - Ear-Sculpture 1<br><strong>6. Dereck Higgins, Bret H. Hart</strong> - An Era of Fiskill<br><strong>7. Dereck Higgins, Bret H. Hart</strong> - Fuzzy Sketch of Tulips<br>5-7 Ear Sculture 2 -&nbsp; <a href="https://bhhstuff.bandcamp.com/" target="_blank">https://bhhstuff.bandcamp.com/</a><br><br><br><strong>8. Don Campau</strong> - Panoply (excerpt) - CD-R - Panoply, the Tape Germ Mixes - <a href="https://www.electroniccottage.org/don-campau/panoply-the-tape-germ-mixes" target="_blank">https://www.electroniccottage.org/don-campau/panoply-the-tape-germ-mixes</a> - <a href="http://www.DonCampau.com" target="_blank">http://www.DonCampau.com</a><br><br><br><strong>9. V-Sor,X</strong> - Conversation With - CD - A Strip Of Light But Still Too dark - <a href="http://www.vsorx.co.uk" target="_blank">http://www.vsorx.co.uk</a><br><br><br><strong>10. Anton Barbeau</strong> - Go! -&nbsp; CD - antronica - <a href="http://www.AntonBarbeau.com" target="_blank">http://www.AntonBarbeau.com</a><br><br><br><strong>11. Ken Elkinson</strong> - River of Joy - CD - Chilltopia - <a href="https://www.kenelkinson.com/" target="_blank">https://www.kenelkinson.com/</a><br><br><br><strong>12. Tom Furgas</strong> - Rht Tumbwhot - CD-R - Cruvsa Dristrop - <a href="http://livingarchive.doncampau.com/interviews/tom-furgas" target="_blank">http://livingarchive.doncampau.com/interviews/tom-furgas</a> - <a href="https://www.electroniccottage.org/tom-furgas/cruvsa-dristrop" target="_blank">https://www.electroniccottage.org/tom-furgas/cruvsa-dristrop</a><br><br>&nbsp;<br><font color="#3333FF"><em>&gt;&gt; Darrell Draeger's Facts Myths &amp; Lies of D.I.Y Music 1987-1993</em></font><br><strong>13. Dogue</strong> - First...and Then - MC - Carrion Dog/Dogue - Split Tape (1991)<br><strong>14. Hermanos Guzanos</strong> - The Alley (1990) - MC/Audiofile tapes - CD-R/Orange Entropy<br>12/13 - <a href="http://1980scassetteculture.blogspot.com/" target="_blank">http://1980scassetteculture.blogspot.com/</a><br><br><br><strong>15. Little Fyodor</strong> - Trump Loves You - CD - Pathi Romantic Ballads - artist: <a href="http://www.littlefyodor.com/" target="_blank">http://www.littlefyodor.com/</a> - release:<br><a href="https://littlefyodor.bandcamp.com/album/pithy-romantic-ballads" target="_blank">https://littlefyodor.bandcamp.com/album/pithy-romantic-ballads</a> - Trump Loves You (video)<a href="https://vimeo.com/350622981/118e33fb8f" target="_blank">https://vimeo.com/350622981/118e33fb8f&nbsp;</a><br><br></div><div class="paragraph"><strong><em>Many thanks for listening! And come back for LORD LITTER'S RADIO ON SHOW BERLIN 2019 / 7 ... soon!</em></strong><br></div>]]></content:encoded></item><item><title><![CDATA[..... LORD LITTER'S RADIO ON SHOW 2019 / 5 .....]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/-lord-litters-radio-on-show-2019-5]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/-lord-litters-radio-on-show-2019-5#comments]]></comments><pubDate>Fri, 18 Oct 2019 15:44:20 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/-lord-litters-radio-on-show-2019-5</guid><description><![CDATA[&nbsp;&nbsp; I think that my RADIO ON BERLIN show is the best of my shows for sound enthusiasts comming via ELECTRONIC COTTAGE. Here I&nbsp; present the sound/music that has a relation to experimental and exploring ideas. The shows are on RADIO-ON-BERLIN for one month, daily rotation. Then I send a new show to RADIO-ON-BERLIN and put the prior show on archive.org These shows on archive.org I'll now present regularly here at ELECTRONIC COTTAGE.LORD LITTER'S RADIO ON SHOW 2019 / 5 has almost only  [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:justify;"><br>&nbsp;&nbsp; I think that my RADIO ON BERLIN show is the best of my shows for sound enthusiasts comming via ELECTRONIC COTTAGE. Here I&nbsp; present the sound/music that has a relation to experimental and exploring ideas. The shows are on RADIO-ON-BERLIN for one month, daily rotation. Then I send a new show to RADIO-ON-BERLIN and put the prior show on archive.org These shows on archive.org I'll now present regularly here at ELECTRONIC COTTAGE.<br><br><em>LORD LITTER'S RADIO ON SHOW 2019 / 5 has almost only artists that have a direct connection to ELECTRONIC COTTAGE.</em><br><br>&nbsp; Older shows are also always re_played on RADIO-ON-BERLIN. And I recommend very much to check out RADIO-ON-BERLIN to find REAL different radio!<br><br><a href="http://www.radio-on-berlin.com/" target="_blank">http://www.radio-on-berlin.com/</a><br></div><div><div class="wsite-image wsite-image-border-none" style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/sendelica_orig.jpg" alt="Picture" style="width:auto;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div><div><div id="983887407975652117" align="center" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><iframe src="https://archive.org/embed/lord_litters_radio_on_show_2019_5" width="500" height="40" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen=""></iframe></div></div><div class="paragraph" style="text-align:center;"><a href="https://archive.org/details/lord_litters_radio_on_show_2019_5" target="_blank">https://archive.org/details/lord_litters_radio_on_show_2019_5<br></a><br></div><div class="paragraph"><strong>1. Don Campau</strong> - kwashiorkor - CD-R - Panoply - <a href="https://www.electroniccottage.org/don-campau/panoply-the-tape-germ-mixes" target="_blank">https://www.electroniccottage.org/don-campau/panoply-the-tape-germ-mixes</a> - <a href="http://www.DonCampau.com" target="_blank">http://www.DonCampau.com</a><br><br>&nbsp;<br><strong>2. Ear Sculture</strong> - B&#8203;-&#8203;Machine Gray 1a<br><strong>3. Ear Sculture</strong> - Grasping the Nettle<br><strong>4. Ear Sculture</strong> - The Undersea Universe<br>2-4 CD - D. Higgins&#8203;/&#8203;B. Hart: Ear&#8203;-&#8203;Sculpture 1 - <a href="https://bhhstuff.bandcamp.com/" target="_blank">https://bhhstuff.bandcamp.com/</a><br><br><br><strong>5. Charles Rice Goff III</strong> - L'America<br><strong>6. Charles Rice Goff III</strong> - The Crystal Ship<br>5/6 CD-R - Swinging From Loose Hinges - <a href="https://archive.org/details/SwingingFromLooseHinges" target="_blank">https://archive.org/details/SwingingFromLooseHinges</a> - <font color="#990000">review:</font> <a href="https://www.electroniccottage.org/jerry-kranitz/charles-rice-goff-iii-swinging-from-loose-hinges-review" target="_blank">https://www.electroniccottage.org/jerry-kranitz/charles-rice-goff-iii-swinging-from-loose-hinges-review</a><br><br><br><font color="#009900"><em>&gt;&gt;&gt; from the Fruits De Mer "17th Dream of Dr. Sardonicus Festival of Psychedelia " goodie bag (Festival SOLD OUT!)</em></font><br><strong>7 Shane Morris &amp; Mystified</strong> - Triassic Extinction - CD - Epoch - <a href="https://spottedpeccary.com/shop/epoch/" target="_blank">https://spottedpeccary.com/shop/epoch/</a><br><strong>8. Sendelica, Secret Knowledge, The Orb</strong> - Chocolate Orb Dubbed Mix - color vinyl 12" <a href="http://www.fruitsdemerrecords.com" target="_blank"><font color="#009900">http://www.fruitsdemerrecords.com</font></a><br><br><font color="#996633"><em>&gt;&gt; Darrell Draeger's Facts Myths &amp; Lies of D.I.Y Music 1987-1993</em></font><br><strong>9. Animation Festival</strong> - Exalted - MC - 1988 "Harsh Reality" release by Michael Behaviour - "Exalted I"<br><strong>10. Ken Clinger &amp; Tom Burris</strong> - One Bad Cat<br><strong>11. Ken Clinger &amp; Tom Burris</strong> - ClownSong<br>10/11 MC - The Story of Chester Bovine (1989)<br><a href="http://1980scassetteculture.blogspot.com/" target="_blank"><strong>http://1980scassetteculture.blogspot.com/</strong></a><br><br><br><strong>12. Mental Anguish</strong> - Danger Humidity Cloak !<br><strong>13. Mental Anguish</strong> - Long As She Can (excerpt)<br>12/13 CD-R - Red Eclipse - <a href="https://www.electroniccottage.org/chris-phinney/mental-anguish-red-eclipse-cd" target="_blank">https://www.electroniccottage.org/chris-phinney/mental-anguish-red-eclipse-cd</a> - <font color="#6600CC">Harsch Reality story</font> <a href="http://www.haltapes.com/harsh-reality-music.html" target="_blank">http://www.haltapes.com/harsh-reality-music.html</a><br></div><div class="paragraph"><br><strong><em>Many thanks for listening! And come back for LORD LITTER'S RADIO ON SHOW BERLIN 2019 / 6 ... soon!</em></strong><br></div>]]></content:encoded></item><item><title><![CDATA[........ The Battersea Power Station Project .........]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/-the-battersea-power-station-project]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/-the-battersea-power-station-project#comments]]></comments><pubDate>Mon, 16 Sep 2019 09:28:10 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/-the-battersea-power-station-project</guid><description><![CDATA[Exhibition (Salon Of Conviviality) and compilation cassette (Power&nbsp; to&nbsp; the&nbsp; People, Music for a New Future)         Info: Battersea Power Station is a decommissioned coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It is now transformed into a modern habitat, as a *positive* example how to update today's cities. I very much doubt all these activities, because they are only based on the aim of pr [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:center;"><em>Exhibition (Salon Of Conviviality) and compilation cassette (Power&nbsp; to&nbsp; the&nbsp; People, Music for a New Future)</em><br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/battersea-power-station-project-1_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph"><strong>Info:</strong> Battersea Power Station is a decommissioned coal-fired power station, located on the south bank of the River Thames, in Nine Elms, Battersea, in the London Borough of Wandsworth. It is now transformed into a modern habitat, as a *positive* example how to update today's cities. I very much doubt all these activities, because they are only based on the aim of profit by so called *investors*.<br /><br /><strong>LL:</strong> I first heard about the The Battersea Power Station project when I received this from STAALTAPE, Berlin.<br /><br /><em>Dear Sir,<br /><br />Such a fine future we were all thinking of. And look around now, peak into social networks and personal blogs. The future is an abandoned space. People who go there come back with dystopian views of a world stripped of any human qualities.<br /><br />The present offers a grim reality, a result of &ldquo;the general breakdown of society, politics, law and order, the infrastructure of our cities, the environment, the world...and even good manners when you get on the bus&rdquo; as one blogger puts it.<br /><br />We need change. We need a new vision that is not based on old belief systems, old philosophies, old moral judgements or on old grumpy men.<br /><br />We need a new future.<br /><br />We can envision the new future in beautiful pictures. We can take the best from social realism, the national socialist dream of purity, from the way Jehovah&rsquo;s witnesses envision the world after the second coming of Jesus Christ, yes we can even use the feel-good vibes of the romantic comedy, the advertising campaigns based on lifestyle. These views of a pure future can be freed from their ideologic, religious and commercial connotations. We simply take the best. We create a healthy place where every individual can grow not only in a spiritual sense but also in wealth and wellbeing.<br /><br />Architects and city developers are spearheading this movement. The Battersea Power Station project is a fine example of how a negative place can be transformed into a positive living experience.<br /><br />We bring you the humble cassette, known for its iconic and unique form and its raw and authentic sound. The cassette was once a mass product. It offered freedom of choice to the people.<br /><br />The people could decide which music they wanted to hear at any given hour of the day. It was a product of the technologic revolution that gave power to the people. All the sounds on the tape connect into the historic fabric of the city, but each track has its own identity and integrity. The sounds on this tape can help to built a space where people can come together to run workshops, to create, to innovate &ndash; or simply to socialise with other residents.<br /><br />We do this by creating negative space. Music has negative space. The sounds define a space that lies at the other side of the border, not a physical border, but the border between the now and the past. The negative space creates a happy awareness of an old future that will never arrive, and of a new future that we are all willing to work for.<br /><br />We can work on this together.<br /><br />Let&rsquo;s do it.<br /><br />Yours sincerely,<br />Rinus Van Alebeek</em><br /><br /><br /><strong>LL:</strong> I closely cooperate with Rinus van Alebeek, so it was no question, I had to take part.<br /><br />I just had some pictures to get the feeling of today's Battersea. I saw&nbsp; a futuristic space with ant_like humans, happily swarming about. In an odd way I was reminded on the Mall of Romero's second Zombie movie. The only difference was that today all is *positive minded* by order.<br /><br />With this in mind I created a soundscape which later was descibed as:"...time travelers ...entered a space where everything was frozen in its movements."<br /><br />My piece ends with a lonely human being shouting *Hello*, with no answer from other living beings.<br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/battersea-power-station-project-2_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><strong>Power&nbsp; to&nbsp; the&nbsp; People, Music for a New Future</strong><br /><br />A selected crew of artists created soundscapes for this cassette release, which will be the soundtrack of an exhibition that goes along with The Battersea Power Station project.<br /><br /><em>Read about the attitude of the exhibition here:<br /></em><br /><strong>SALON OF CONVIVIALITY</strong><br />PV: SATURDAY 14 SEPTEMBER 2019, 7-9PM<br />OPEN: 15-28 SEPTEMBER, BY APPOINTMENT ONLY<br /><a href="http://artlacuna.org/#secondPage" target="_blank">http://artlacuna.org/#secondPage</a><br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/salon-of-conviviality_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph">The STAALTAPE cassette compilation will be released later this year.<br /><br /><strong>STAALTAPE Info:</strong><br /><br /><em>All&nbsp; the&nbsp; artists&nbsp; that&nbsp; have&nbsp; contributed&nbsp; to&nbsp; this&nbsp; work&nbsp; of&nbsp; sound&nbsp; are&nbsp; real persons.&nbsp; The&nbsp; aliases&nbsp; are&nbsp; exclusively&nbsp; used&nbsp; for&nbsp; their&nbsp; appearance&nbsp; on staaltape.&nbsp; Whilst&nbsp; in&nbsp; their&nbsp; professional&nbsp; life&nbsp; the&nbsp; artists&nbsp; are&nbsp; bound&nbsp; by&nbsp; the rules&nbsp; and&nbsp; regulations&nbsp; dictated&nbsp; by&nbsp; the&nbsp; music&nbsp; industry&nbsp; and&nbsp; the expectations of their fans, on staaltape they have found the liberty to act freely.<br /><br />Notwithstanding&nbsp; the&nbsp; obscurity&nbsp; of&nbsp; the&nbsp; previous&nbsp; staaltape&nbsp; works&nbsp; to&nbsp; which the artists contributed like The Kylie Golden Mixtape, Make Incest Great Again or Dear Concerned Employees, the international press managed to get&nbsp; hold&nbsp; of&nbsp; the&nbsp; audio&nbsp; files.&nbsp; Leading&nbsp; newspapers&nbsp; like&nbsp; The&nbsp; Independent, The&nbsp; Washington&nbsp; Post,&nbsp; Die&nbsp; S&uuml;ddeutsche&nbsp; Zeitung&nbsp; or&nbsp; The&nbsp; New&nbsp; York&nbsp; Times gave four and five star reviews. There is mention of positively restoring our&nbsp; memory, ravished&nbsp; delight or&nbsp; its&nbsp; worth&nbsp; reminding&nbsp; ourselves&nbsp; of&nbsp; the precarious existence of some of our favourite things.<br /><br />Power to the People, Music for a New Future is another compelling work of&nbsp; sound.&nbsp; Inspired&nbsp; by&nbsp; the&nbsp; graphic&nbsp; presentation&nbsp; of&nbsp; the&nbsp; Battersea Power Station Project the artists have transformed the area into a sonic vision. They have created a vibrant new approach to music that we can all be proud of.<br /><br />Staaltape has set out to make Battersea a showcase for the world's very best musicians and sound artists and the compositions we are unveiling on this tape demonstrate that commitment in action.<br /><br />The&nbsp; artist&rsquo;s&nbsp; aim&nbsp; is&nbsp; fully&nbsp; achieved:&nbsp; A&nbsp; determination&nbsp; to&nbsp; create&nbsp; a&nbsp; genuine sense of place in which people are proud to make their home and work.<br /><br />The&nbsp; compositions&nbsp; are&nbsp; meant&nbsp; to&nbsp; be&nbsp; heard&nbsp; at&nbsp; moments&nbsp; when&nbsp; you&nbsp; don&rsquo;t expect&nbsp; them.&nbsp; Be&nbsp; it&nbsp; from&nbsp; the&nbsp; giant&nbsp; chimneys,&nbsp; on&nbsp; The&nbsp; Electric&nbsp; Boulevard, dripping&nbsp; down&nbsp; from&nbsp; The&nbsp; Skyline,&nbsp; in&nbsp; a&nbsp; remote&nbsp; corner&nbsp; of&nbsp; the&nbsp; parking space,&nbsp; or&nbsp; twinkling&nbsp; between&nbsp; the&nbsp; residential&nbsp; buildings&nbsp; on&nbsp; Prospect&nbsp; Place, the sounds will offer a short and heartfelt moment of London&rsquo;s history.<br /><br />The ravens of the Tower, The Battle of Britain, the punk explosion or the speakers&nbsp; at&nbsp; Hyde&nbsp; Park&nbsp; Corner,&nbsp; the&nbsp; British&nbsp; Empire,&nbsp; The&nbsp; iconic&nbsp; image&nbsp; of Battersea&nbsp; Power&nbsp; Station,&nbsp; MI6,&nbsp; Hammer&nbsp; House&nbsp; of&nbsp; Horror,&nbsp; the&nbsp; early vaudeville years, there is more to these sounds than meets the ear.<br /><br />The&nbsp; collection&nbsp; of&nbsp; compositions&nbsp; on Power&nbsp; to&nbsp; the&nbsp; People,&nbsp; Music&nbsp; for&nbsp; a New&nbsp; Future&nbsp; create&nbsp; humanistic&nbsp; environments&nbsp; that feel&nbsp; good&nbsp; to&nbsp; live&nbsp; in and visit.</em><br /><br /><a href="https://staaltape.wordpress.com/" target="_blank">https://staaltape.wordpress.com/</a> - <a href="http://staaltape.com/" target="_blank">http://staaltape.com/</a><br /><br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/staaltapes-2_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph"><strong>PS:<br /><br /><em>Inside the new Battersea Power Station</em></strong><br /><br /><em>First 100 residents move in to first batch of swanky flats as vast &pound;9bn development starts to rise from the rubble at the south London landmark<br /><br />Pop veteran Sting, celebrity survival expert Bear Grylls and 1,400 Apple office workers will soon be neighbours &ndash; living and working alongside each other at Battersea Power Station.</em><br />&nbsp;<br /><a href="https://www.theguardian.com/business/2017/may/13/inside-the-new-battersea-power-station" target="_blank">https://www.theguardian.com/business/2017/may/13/inside-the-new-battersea-power-station</a><br /><br /><strong>LL:</strong> I don't need more info to tell me that this *new Battersea* is NOT the people's (our) Battersea. I was right - it is already populated by zombies ...&nbsp; am I the only one to see this in a very sceptic (lets be honest: very negative) way? ... as usual - this Battersea is by the rich for the rich.<br /><br /><a href="https://batterseapowerstation.co.uk/" target="_blank">https://batterseapowerstation.co.uk/</a><br /></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/battersea-1960s_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:center;">Battersea <br /></div>]]></content:encoded></item><item><title><![CDATA[Music & Elsewhere virtual cassette compilation]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/music-elsewhere-virtual-cassette-compilation]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/music-elsewhere-virtual-cassette-compilation#comments]]></comments><pubDate>Sun, 09 Jun 2019 04:49:22 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/music-elsewhere-virtual-cassette-compilation</guid><description><![CDATA[An M&amp;E Tribute To The Great Tape LabelsThe Various Artists Who Ran Them  It was 30 years ago today ...         Listening to this virtual cassette proved to me again how visionary, exciting and still friendly this music was. There was no goal, no rules - just be yourself, be unique. I did radio shows in those days - I still do radio shows. I have to admit I don't receive this kind of music any more.  Today I often get music I was missing in those days. This is kinda difficult to explain. In t [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><strong><span style="color:rgb(34, 34, 34)">An M&amp;E Tribute To The Great Tape Labels</span><br /><span style="color:rgb(34, 34, 34)">The Various Artists Who Ran Them</span></strong></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">It was 30 years ago today ...</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/m-and-e-virtual-cassette-compilation-cover_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Listening to this virtual cassette proved to me again how visionary, exciting and still friendly this music was. There was no goal, no rules - just be yourself, be unique. I did radio shows in those days - I still do radio shows. I have to admit I don't receive this kind of music any more.</span></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Today I often get music I was missing in those days. This is kinda difficult to explain. In those days I often experienced too much destruction just for the fun of destruction. I was sometimes looking for clever worked-out song structures .. and sometimes found them.</span></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Does anyone remember LMNOP? YES alive and well!&nbsp;</span><a href="https://www.babysue.com/" target="_blank">https://www.babysue.com/</a><span style="color:rgb(34, 34, 34)">.&nbsp;</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:left"> <a href='https://www.babysue.com/' target='_blank'> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/babysue-2019_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">By the way, lots of this kind of information I find regularly on Darrel Draeger's cassette culture blog.&nbsp;</span><a href="http://1980scassetteculture.blogspot.com/" target="_blank">http://1980scassetteculture.blogspot.com/</a></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:left"> <a href='http://1980scassetteculture.blogspot.com/' target='_blank'> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/darrel-draegers-cassette-blog_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Today I often get too much of what I already had heard before many times. And I very seldom get the sheer excitement. It's often mellow, good, *radio-friendly* music, ready for the (a) market - or it's boring, clumsy *just* noise *experiments*. But then there also are bands that play simple plain Rock 'n' Roll and are totally excited to be on my show - they just want their Rock 'n' Roll to be heard - no desire to *make it*. You hear these kind of bands quite often on my shows. And I also sure get new interesting and challenging sound explorations, often on the mellow side, which adds a positive vibe in my opinion because we have way too much noise all around these days.&nbsp;</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:left"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/m-and-e-cassette-compilation-front-cover_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">This virtual cassette compilation compiled by Mick Magic today, presents very well the general sound you got from his distribution in those years. I remember quite well some of these tracks, had many on my shows. If you want to find out about Mick Magic, here is a very in-depth presentation / interview I did for EC last year.</span><br /><a href="https://www.electroniccottage.org/lord-litter/mick-magics-united-world-underground" target="_blank">https://www.electroniccottage.org/lord-litter/mick-magics-united-world-underground</a></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">So if you're new to the scene (or if you've been there back in the day) this is a great way to discover ..or re-discover, compiled by one who was there (and who is still around!). http.//</span><a href="http://www.mickmagic.net/" target="_blank">www.MickMagic.net</a><span style="color:rgb(34, 34, 34)">&nbsp;The compilation is part of a much bigger forthcoming release with classic cassette culture material, that Mick is working on at the moment. I'll keep you informed.&nbsp;</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:left"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/m-and-e-virtual-cassette-compilation-address_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Now enjoy and feel free to download an M&amp;E Tribute To The Great Tape Labels, The Various Artists Who Ran Them, a special virtual C90 compilation!&nbsp;&nbsp;</span><br /><br /><strong><span style="color:rgb(34, 34, 34)">Lord Litter, June 2019</span></strong></div>  <div class="paragraph">download 200 MB album zip file, including PDF artwork<br /><font color="#f80000">&#8203;Below the tracklist pic you can stream the separate tracks</font></div>  <div><div style="margin: 10px 0 0 -10px"> <a title="Download file: m_and_e_virtual_cassette_compilation.zip" href="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/m_and_e_virtual_cassette_compilation.zip"><img src="//www.weebly.com/weebly/images/file_icons/gz.png" width="36" height="36" style="float: left; position: relative; left: 0px; top: 0px; margin: 0 15px 15px 0; border: 0;" /></a><div style="float: left; text-align: left; position: relative;"><table style="font-size: 12px; font-family: tahoma; line-height: .9;"><tr><td colspan="2"><b> m_and_e_virtual_cassette_compilation.zip</b></td></tr><tr style="display: none;"><td>File Size:  </td><td>209256 kb</td></tr><tr style="display: none;"><td>File Type:  </td><td> zip</td></tr></table><a title="Download file: m_and_e_virtual_cassette_compilation.zip" href="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/m_and_e_virtual_cassette_compilation.zip" style="font-weight: bold;">Download File</a></div> </div>  <hr style="clear: both; width: 100%; visibility: hidden"></hr></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:left"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/m-and-e-virtual-cassette-compilation-tracklist_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph"><u><strong>SIDE A</strong></u></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>A1. RODENT TAPES (Ralf Bevis):</strong> Gypsy - "Trapped In Cement" - 1989</font></div>  <div title="Audio: a1.mp3" class="wsite-html5audio"><audio id="audio_602669949587387619" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/a1.mp3" preload="none" data-autostart="no" data-artist="Gypsy" data-track="Trapped In Cement"></audio></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>A2. ALTERNATE MEDIA (Mitch Rushton):</strong> Emmellar - "Polar Nights" - 1989</font></div>  <div title="Audio: a2.mp3" class="wsite-html5audio"><audio id="audio_649105797972244275" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/a2.mp3" preload="none" data-autostart="no" data-artist="Emmellar" data-track="Polar Nights"></audio></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>A3. SET CASSETTES (Terrence Burke):</strong> Histatic Charge - "Why Do I Always Hafta Do The Dishes?</font></div>  <div title="Audio: a3.mp3" class="wsite-html5audio"><audio id="audio_728176584899336561" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/a3.mp3" preload="none" data-autostart="no" data-artist="Histatic Charge" data-track="Why Do I Always Hafta Do The Dishes?"></audio></div>  <div class="paragraph"><font size="3"><strong>A4. AUDIOFILE TAPES (Carl Howard):</strong> Nomuzic - "Second Warning" - 1990</font></div>  <div title="Audio: a4.mp3" class="wsite-html5audio"><audio id="audio_802855734539167651" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/a4.mp3" preload="none" data-autostart="no" data-artist="Nomuzic" data-track="Second Warning"></audio></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>A5. CAT KILLER (Carsten Vollmer):</strong> Bar &amp; Co. - "In The Dreams Of Henry Spencer - 1991</font></div>  <div title="Audio: a5.mp3" class="wsite-html5audio"><audio id="audio_263253314804877880" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/a5.mp3" preload="none" data-autostart="no" data-artist="Bar & Co" data-track="In The Dreams Of Henry Spencer (Live)"></audio></div>  <div class="paragraph"><font size="3"><strong>A6. PUMF RECORDS (Stan Batcow):</strong> Howl In The Typewriter - "Gronk" - 1991</font></div>  <div title="Audio: a6.mp3" class="wsite-html5audio"><audio id="audio_451311247898721007" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/a6.mp3" preload="none" data-autostart="no" data-artist="Howl in the Typewriter" data-track="Gronk"></audio></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>A7. HARSH REALITY MUSIC - Chris Phinney:</strong> Viktimized Karcass - "Loaded Man" - 1992</font></div>  <div title="Audio: a7.mp3" class="wsite-html5audio"><audio id="audio_288373082583779279" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/a7.mp3" preload="none" data-autostart="no" data-artist="Viktimized Karcass" data-track="Loaded Man"></audio></div>  <div class="wsite-spacer" style="height:50px;"></div>  <div class="paragraph"><u><strong>SIDE B</strong></u></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>B1. NEUZEITLICHE TONKONSTRUKTIONEN (Alex Frick):</strong> Endzeitgeneration - "First Earth, Then Space" - 1992</font></div>  <div title="Audio: b1.mp3" class="wsite-html5audio"><audio id="audio_486971099313256982" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/b1.mp3" preload="none" data-autostart="no" data-artist="Endzeitgeneration" data-track="First Earth, Then Space"></audio></div>  <div class="paragraph" style="text-align:left;"><strong><font size="3">B2. BETON TAPES (Haiko Herden):</font></strong> The Evasion On Stake - "Play Between The Sheets" - 1993</div>  <div title="Audio: b2.mp3" class="wsite-html5audio"><audio id="audio_129662934413429602" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/b2.mp3" preload="none" data-autostart="no" data-artist="The Evasion On Stake" data-track="Play Between The Sheets"></audio></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>B3. GENDAI RECORDS (Fumihiro Okaniwa) / HARD DISC INTERNATIONAL (Toshiyuki Hiraoka):</strong> Fumihiro Okinawa &amp; Toshiyuki Hiraoka - Untitled - 1994</font></div>  <div title="Audio: b3.mp3" class="wsite-html5audio"><audio id="audio_363177736657061325" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/b3.mp3" preload="none" data-autostart="no" data-artist="Fumihiro Okaniwa & Toshiyuki Hiraoka" data-track="Untitled"></audio></div>  <div class="paragraph" style="text-align:left;"><strong><font size="3">B4. IRRE TAPES (Matthias Lang) / FRACTION STUDIO (Michel Madrange):<br />&#8203;</font></strong>Mr. Moto &amp; M. Nomized - "Acid Space" - 1995</div>  <div title="Audio: b4.mp3" class="wsite-html5audio"><audio id="audio_854780272477693742" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/b4.mp3" preload="none" data-autostart="no" data-artist="Mr. Moto & M. Nomized" data-track="Acid Space"></audio></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>B5. EBUS MUSIC (Carsten Olbrich):</strong> Mr. Ebu - "Bieberer Berg" - 1997</font></div>  <div title="Audio: b5.mp3" class="wsite-html5audio"><audio id="audio_643216796877369705" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/b5.mp3" preload="none" data-autostart="no" data-artist="Mr. Ebu" data-track="Bieberer Berg"></audio></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>B6. LONELY WHISTLE MUSIC (Don Campau):</strong> Don Campau &amp; Robin O'Brien - "Magical Mile" - 1997</font></div>  <div title="Audio: b6.mp3" class="wsite-html5audio"><audio id="audio_590953936474830097" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/b6.mp3" preload="none" data-autostart="no" data-artist="Don Campau & Robin O'Brien" data-track="Magical Mile"></audio></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>B7. THE TRUNDLEY EXPERIENCE (Kev Trundley)</strong>: Acidfuck - "Piece Of Christ" - 1999</font></div>  <div title="Audio: b7.mp3" class="wsite-html5audio"><audio id="audio_347030949399509399" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/b7.mp3" preload="none" data-autostart="no" data-artist="Acidfuck" data-track="Piece Of Christ"></audio></div>  <div class="paragraph" style="text-align:left;"><font size="3"><strong>B8. EDITION GRUNDMANN &amp; NEUBERT (Sigfried Grundmann):</strong> Edition Neumann -<br />&#8203;"I Dreamt A Dream" - 1999</font></div>  <div title="Audio: b8.mp3" class="wsite-html5audio"><audio id="audio_980679784938583687" style="height: auto;" class="wsite-mejs-align-left wsite-mejs-dark" src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/b8.mp3" preload="none" data-autostart="no" data-artist="Edition Neumann" data-track="I Dreamt A Dream"></audio></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/m-and-e-virtual-cassette-compilation-tracklist_1_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>]]></content:encoded></item><item><title><![CDATA[Cassette Culture Node.Linz in Vienna 15]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/cassette-culture-nodelinz-in-vienna-15]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/cassette-culture-nodelinz-in-vienna-15#comments]]></comments><pubDate>Fri, 17 May 2019 12:41:08 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/cassette-culture-nodelinz-in-vienna-15</guid><description><![CDATA[Wolfgang Dorninger does it again! His cassette culture presentation will go to Vienna (Austria) May 29 to June 27, 2019.His first Cassette Culture Node Linz exhibition in June/July 2018 was an extremely well structured insight in this cultural movement. With lectures, exhibition, work shops, concerts and more.         His lecture on video brought many thoughts to my mind - the differences between now and thenhttps://www.electroniccottage.org/lord-litter/thoughts-based-on-wolfgang-dorningers-cass [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Wolfgang Dorninger does it again! His cassette culture presentation will go to Vienna (Austria) May 29 to June 27, 2019.</span><br /><br /><span style="color:rgb(34, 34, 34)">His first Cassette Culture Node Linz exhibition in June/July 2018 was an extremely well structured insight in this cultural movement. With lectures, exhibition, work shops, concerts and more.</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/ccnl-poster-a4_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">His lecture on video brought many thoughts to my mind - the differences between now and then<br /></span><a href="https://www.electroniccottage.org/lord-litter/thoughts-based-on-wolfgang-dorningers-cassette-culture-lecture" target="_blank">https://www.electroniccottage.org/lord-litter/thoughts-based-on-wolfgang-dorningers-cassette-culture-lecture</a><span style="color:rgb(34, 34, 34)">&nbsp;(comes with the video)<br /><br />Here you find an extensive website with info (german/english) videos, slide shows, mail art, pictures and more on what will happen in Vienna.<br />&#8203;</span><a href="http://www.base.at/ccnl/" target="_blank">http://www.base.at/ccnl/</a><br /><br /><span style="color:rgb(34, 34, 34)">Be there - virtual or in Person!</span><br /></div>]]></content:encoded></item><item><title><![CDATA[Social Media (the way it is now) = Death, Destruction, Hate, Lies, Racism, Fascism, Homophobia PART 2]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/social-media-the-way-it-is-now-death-destruction-hate-lies-racism-fascism-homophobia-part-2]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/social-media-the-way-it-is-now-death-destruction-hate-lies-racism-fascism-homophobia-part-2#comments]]></comments><pubDate>Wed, 08 May 2019 20:00:39 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/social-media-the-way-it-is-now-death-destruction-hate-lies-racism-fascism-homophobia-part-2</guid><description><![CDATA[I think it's extremely significant that a discussion on *Social Media* brought an overwhelming feedback. Makes it obvious that it moves people - whether you're in or outside of it.&nbsp;First I want to make absolutely clear: I don't *dislike* anyone of the EC community who is using *Social Media*. EC as a community only gathers positive human beings in my view and from my experience. I also want to point out, that the basic idea of *Social Media* is of course a positive one. There can't be somet [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">I think it's extremely significant that a <a href="https://www.electroniccottage.org/lord-litter/social-media-death-destruction-hate-lies-racism-fascism-homophobia" target="_blank">discussion on *Social Media* brought an overwhelming feedback</a>. Makes it obvious that it moves people - whether you're in or outside of it.&nbsp;</span><br /><br /><span style="color:rgb(34, 34, 34)">First I want to make absolutely clear: I don't *dislike* anyone of the EC community who is using *Social Media*. EC as a community only gathers positive human beings in my view and from my experience. I also want to point out, that the basic idea of *Social Media* is of course a positive one. There can't be something wrong with people coming together..but...&nbsp;</span><br /><br /><span style="color:rgb(34, 34, 34)">I think Hal came close when he wrote that it depends on one's age how one regards *Social Media*. For human beings now growing up, it is normal that people are beaten up just because they are non-white or non-heterosexual. Not *ok* (I hope) but *normal*. In Europe it was not *normal* some years ago - now it is, it happens every day - it is in the norm - it is *normal*.</span><br /><br /><span style="color:rgb(34, 34, 34)">Regarding *Social Media* and your age, there are sure exceptions. I see 70 year old smart phone addicts in the streets - for example, and I see 20 years old people with NO smart phone in hand. I didn't grow up with it, so I see it with a (what I think) healthy distance.</span><br /><br /><span style="color:rgb(34, 34, 34)">In the mid 1990s I studied multimedia in all forms, HTML, website construction, soundcreation, grafix, video, etc. With this knowledge I spent inspiring years of freelancing. The internet was in its very early days in Europe. It was an inspiring area and one could even make a very decent income. It was quite normal that one who was on the internet was learning new things, understood structures, got inspired and creative. One was automatically a creator not a consumer.&nbsp;</span><br /><br /><span style="color:rgb(34, 34, 34)">I started using the internet to spread alternative culture. A first internet radiostation that webcasted my show regularly was Indieport.com (long forgotten). In the end I had four shows. Two online, two on air. One of the shows was a weekly show that was webcasted daily. In the beginning I sent the shows on CD-R via snail mail. No way of sending big files via the net in those days. I had an early website with all kind of alternative information, links, reviews, articles, etc. Electronic communication started and all was innovative and inspiring.</span><br /><br /><span style="color:rgb(34, 34, 34)">A worldwide level of communication, experiment, creativity - it was called *The global village*. In those years I definitely experienced the attitude and *flair* I knew from the cassette scene in/on the internet. The whole internet was a *Social Media* like area. It was easy for me to go from *cassette culture* to *internet culture*.&nbsp;</span><br /><br /><span style="color:rgb(34, 34, 34)">Slowly something else took over. I started teaching how to use the internet A new expression was *blooming*: e-commerce. I made quite some money teaching this to companies in Berlin. And more and more the *making money* aspect took over. The world was realising how much money was to be made with these millions of people that suddenly were on the internet.</span><br /><br /><span style="color:rgb(34, 34, 34)">Slowly the internet turned into a money making tool. FB and the whole *Social Media* idea came alive in the early 2000s. Right from the start there was just one idea - create as many clicks as possible, this generates the profit. Yeah - this was the savior of those days: generating clicks! I remember this was a main aspect of my lectures - your website has to generate clicks - this will guarantee profit.</span><br /><br /><span style="color:rgb(34, 34, 34)">This never changed and the whole internet today is slave to this rule.</span><br /><br /><br /><span style="color:rgb(34, 34, 34)">C U T .................</span><br /><br /><br /><span style="color:rgb(34, 34, 34)">I remember an early Electronic Cottage info where Hal defines that NO hate, homophobia etc etc etc .. is welcomed at EC. - no such obvious call is known from FB (and the general *Social Media*) from the early days. So everybody was welcomed.</span><br /><br /><span style="color:rgb(34, 34, 34)">I repeat again - clicks should be generated, clicks would guarantee companies placing advertisement. After a slow start the amount of money involved in this process became *scary*.</span><br /><br /><span style="color:rgb(34, 34, 34)">People as human beings became irrelevant, they became units generating clicks.</span><br /><br /><span style="color:rgb(34, 34, 34)">Ever since groups that so far had no worldwide *mouth*, started using *Social Media* to come together on a worldwide level and began to spread Death, Destruction, Hate, Lies, Racism, Fascism, Homophobia ... no one stopped them. Especially not the owners of *Social Media*, every click meant profit. Whether a peace loving hippie or a hate spreading Nazi. *Social Media* embraces and unites them all.</span><br /><br /><span style="color:rgb(34, 34, 34)">Today - whether Facebook, Instagram, WhatsApp, etc etc, if you look behind it's all Zuckerberg - it's all there to generate clicks. He makes that much money that he can put billions aside *just in case* he needs them for being sued - billions.</span><br /><br /><span style="color:rgb(34, 34, 34)">I painfully began to realise that every human being, who is not white and heterosexual, is now in danger in Germany and in general in the modern society.&nbsp; After decades of coming together (after the Second World War), we're again drifting apart because all negative hatemongers found a platform to come together worldwide.</span><br /><br /><span style="color:rgb(34, 34, 34)">And I'm shocked and sad that all my non-white and non-hetero friends are back in a greater danger than they were when I started this life .. a part of the background is, because *Social Media* found a total uncontrolled playground on Planet Earth.</span><br /><br /><span style="color:rgb(34, 34, 34)">One of the most dangerously insane politicians ever, rules (Planet Earth) via Twitter. .. rules Planet Earth via Twitter! Every time I realise this, I simply can't believe it.</span><br /><br /><span style="color:rgb(34, 34, 34)">I really think we have to start to react - offer different ways, work on alternatives, start to shout, cry, and don't stop until a different movement is noticeable.</span><br /><br /><span style="color:rgb(34, 34, 34)">Especially being part of *Social Media* makes us part of the mainstream of today. We feed and support today's mainstream. I once entered the *alternative underground* to get away from the mainstream and its devastating effect on culture to offer a counterweight. A very *clever* move made the *new* mainstream catch all *alternative* people in recent years.&nbsp;</span><br /><br /><span style="color:rgb(34, 34, 34)">And again the mainstream teaches us how to think, look, walk, talk etc. ..</span><br /><br /><span style="color:rgb(34, 34, 34)">The time to offer a *adjusted counterweight* is now. All over the world I see gentle small plantlets whispering *no* ...&nbsp; I'm one of those old trees, so I cry. NO!!!</span><br /><br /><span style="color:rgb(34, 34, 34)">So again I repeat: *Social Media* (the way it is now) = Death, Destruction, Hate, Lies, Racism, Fascism, Homophobia</span><br /><br /><span style="color:rgb(34, 34, 34)">A fact is that I'm definitely not the only one warning against this. One example. The inventor of the Like button, after realising what he has done, feels very guilty for inventing this tool of addiction, which was right from the start planned as a tool, of addiction...and that's really only one example.</span><br /><br /><span style="color:rgb(34, 34, 34)">Too many people worldwide just live for this *feedback call* of *Social Media*. As soon as the bell rings they jump to the device and put their dose into the system, which sends the call to other people .. and so on.&nbsp;</span><br /><br /><span style="color:rgb(34, 34, 34)">Sure there are also positive movements supported by *Social Media* - everyone who is not white and heterosexual found a mouth to say: "Here we are and we are *normal*". But what price have we paid to support endless greed and profit...plus many of these *mouths* were there long before *Social Media* .. like Christoper Street Day.</span><br /><br /><span style="color:rgb(34, 34, 34)">What a chance we missed that the basic idea of *Social Media* was not used on pro-life movements..</span><br /><br /><span style="color:rgb(34, 34, 34)">And now please don't tell me, well - that is just the way it is, the way it always has been, business as usual - this is cynical and supports Death, Destruction, Hate, Lies, Racism, Fascism, Homophobia.</span><br /><br /><span style="color:rgb(34, 34, 34)">All this is just the beginning, if we don't oppose to a algorithm ruled world. I just received a first example of what will happen now, that we have a new Europe copyright law, controlled by algorithm, and of course a first *victim* I heard of is a good old buddy from the cassette culture days - and of course it happens via a *Social Media* platform. I'll try to research this and I'm planning another article on this.</span><br /><br /><span style="color:rgb(34, 34, 34)">PS: I barely *touched* the whole subject - I didn't even mention the expression *fake news* which is all a result and heavily supported by *Social Media*. And I didn't talk about GOOGLE - a whole planet led to search results by one company. This is horrible and terrifying - to say the least ... but it's *normal* to everyone.&nbsp;</span><br /><br /><span style="color:rgb(34, 34, 34)">Yours Don Quijote</span><br /><span style="color:rgb(34, 34, 34)">better known as Lord Litter</span></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/lordlitter-1_orig.png" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>]]></content:encoded></item><item><title><![CDATA[Social Media = Death, Destruction, Hate, Lies, Racism, Fascism, Homophobia]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/social-media-death-destruction-hate-lies-racism-fascism-homophobia]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/social-media-death-destruction-hate-lies-racism-fascism-homophobia#comments]]></comments><pubDate>Mon, 29 Apr 2019 19:27:35 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/social-media-death-destruction-hate-lies-racism-fascism-homophobia</guid><description><![CDATA[I recently had an ongoing Email exchange with Anton Barbeau&nbsp;where we talked about what being on Facebook does to you. One of his comments "...&nbsp;the red "like" of FB etc does take something away. Not just time, but focus and clear-thinking." (Yes he struggles to get away from the vicious circle) I'm totally sure (and other *official*&nbsp; investigations proved that) being on FB dominates your way of communication - and communication is living. Being on FB and being a vivid member of EC  [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><font size="4">I recently had an ongoing Email exchange with <a href="http://www.AntonBarbeau.com" target="_blank">Anton Barbeau</a>&nbsp;where we talked about what being on Facebook does to you. One of his comments "...&nbsp;the red "like" of FB etc does take something away. Not just time, but focus and clear-thinking." (Yes he struggles to get away from the vicious circle) I'm totally sure (and other *official*&nbsp; investigations proved that) being on FB dominates your way of communication - and communication is living. Being on FB and being a vivid member of EC the way you want it is kind of opposing. With every *I like* click a whole *communication* is done on FB. On Electronic Cottage one needs to think, research, work, act, react, reconsider, etc etc etc. All this is very unwanted in *Social Media* land.</font></div>  <div><div class="wsite-image wsite-image-border-none " style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"> <a> <img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/anton-barbeau-berliner-grotesque_orig.jpg" alt="Picture" style="width:auto;max-width:100%" /> </a> <div style="display:block;font-size:90%"></div> </div></div>  <div class="paragraph" style="text-align:left;">43 of 55 EC Community members being on Facebook is the majority. It's a miracle EC works at all.<br /><br />I'm spreading the following with every mail:<br /><br /><strong>&gt;&gt; Social Media 2019</strong><br />After recent events ... Social Media became the driving force on planet earth for Death, Destruction, Hate, Lies, Racism, Fascism, Homophobia and many more society corroding effects.&nbsp;<br /><br />All this is based on a system that works with addiction of the individual partaker.&nbsp;<br />Addiction caused by structures, that use the longing of the human psyche. For example, "Likes" in Facebook use the longing of the humans for appreciation. After a while the call of the "Likes" becomes your heroin.&nbsp; &nbsp;<br /><br />The only argument pro Social Media I often hear is "I can keep in touch with my loved ones". There are so many ways on the modern internet to keep in touch, without feeding a system that a pro life person simply can't like to support.<br /><br />Every move within the Social Media structure, every message, every smiley, every click supports a system that&nbsp; became the driving force on Planet Earth for Death, Destruction, Hate, Lies, Racism, Fascism, Homophobia and many more society corroding effects...makes it stronger, tighter.&nbsp;<br /><br />I imagine a world where all these people would work on small personal networks, where are (all ) these people keep&nbsp; in touch with their loved ones. Systems where you really only are in touch with the selected loved ones you choose.&nbsp;<br /><br />I really wonder how much all the already obvious disastrous effects of Social Media have to increase before people will even start to learn.<br /><br />I'm not spreading Social Media links via my network.</div>]]></content:encoded></item><item><title><![CDATA[LORD LITTER'S RADIO ON SHOW 2019 - 1]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/lord-litters-radio-on-show-2019-1]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/lord-litters-radio-on-show-2019-1#comments]]></comments><pubDate>Thu, 14 Mar 2019 21:01:26 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/lord-litters-radio-on-show-2019-1</guid><description><![CDATA[https://archive.org/details/lord_litters_radio_on_show_2019_1&gt;&gt; DON CAMPAU1. Don Campau - part#12. Don Campau - part#41/2 CD - Disclaimer3. Don Campau - dreams of the spiral - CD - dreams of the spiralhttp://lonelywhistle.doncampau.com/​&gt;&gt; STAN BATCOW4. Howl in The Typewriter - Black cat5. UNIT - Game of Thrones6. AWARE - 2000 in 10 followed by King Piranha7. Howl in The Typewriter (plus dJohn) - A Mill1000000n8. UNIT - The Lock &amp; The Glen10-12 from CD compilation - godspunk vo [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><a href="https://archive.org/details/lord_litters_radio_on_show_2019_1" target="_blank">https://archive.org/details/lord_litters_radio_on_show_2019_1</a></div><div><div id="607777511590873977" align="left" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><iframe src="https://archive.org/embed/lord_litters_radio_on_show_2019_1" width="500" height="40" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen=""></iframe></div></div><div><div class="wsite-image wsite-image-border-none" style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:left"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/published/disclaimer.jpg?1552597577" alt="Picture" style="width:auto;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">&gt;&gt; DON CAMPAU</span><br><span style="color:rgb(34, 34, 34)">1. Don Campau - part#1</span><br><span style="color:rgb(34, 34, 34)">2. Don Campau - part#4</span><br><span style="color:rgb(34, 34, 34)">1/2 CD - Disclaimer</span><br><span style="color:rgb(34, 34, 34)">3. Don Campau - dreams of the spiral - CD - dreams of the spiral</span><br><a href="http://lonelywhistle.doncampau.com/" target="_blank">http://lonelywhistle.doncampau.com/&#8203;</a><span style="color:rgb(34, 34, 34)"></span><br><br><br><span style="color:rgb(34, 34, 34)">&gt;&gt; STAN BATCOW</span><br><span style="color:rgb(34, 34, 34)">4. Howl in The Typewriter - Black cat</span><br><span style="color:rgb(34, 34, 34)">5. UNIT - Game of Thrones</span><br><span style="color:rgb(34, 34, 34)">6. AWARE - 2000 in 10 followed by King Piranha</span><br><span style="color:rgb(34, 34, 34)">7. Howl in The Typewriter (plus dJohn) - A Mill1000000n</span><br><span style="color:rgb(34, 34, 34)">8. UNIT - The Lock &amp; The Glen</span><br><span style="color:rgb(34, 34, 34)">10-12 from CD compilation - godspunk volume nineteen -&nbsp;</span><a href="http://www.pumf.net/" target="_blank">http://www.pumf.net</a><span style="color:rgb(34, 34, 34)">&nbsp;- UNIT&nbsp;</span><a href="http://www.unit-united.co.uk/" target="_blank">http://www.unit-united.co.uk/</a></div><div><div class="wsite-image wsite-image-border-none" style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:left"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/stan-batcow_orig.jpg" alt="Picture" style="width:auto;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">&gt;&gt; MASSIMO DISCEPOLI&nbsp;&nbsp;</span><br><span style="color:rgb(34, 34, 34)">9. Massimo Discepoli - Both Sides of the Line -&nbsp;</span><a href="http://www.massimodiscepoli.com/" target="_blank">http://www.massimodiscepoli.com</a><br></div><div><div class="wsite-image wsite-image-border-none" style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:left"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/published/as-800.jpg?1552597813" alt="Picture" style="width:auto;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">&gt;&gt; WOLFGANG DORNINGER</span><br><span style="color:rgb(34, 34, 34)">10. Dorninger - Analoge Systeme Intro</span><br><span style="color:rgb(34, 34, 34)">11. Dorninger - Analoge Systeme 3rd Movement</span><br><span style="color:rgb(34, 34, 34)">CD - Analoge Systeme -&nbsp;</span><a href="http://www.base.at/" target="_blank">http://www.base.at</a><br><br><br><span style="color:rgb(34, 34, 34)">&gt;&gt; ANNA HOMLER &amp; DAVE TUCKER&nbsp;</span><br><span style="color:rgb(34, 34, 34)">12. Anna Homler, Adrian Northover, &amp; Dave Tucker - Nocturnal Dancer - LP - FTS003 -</span><a href="https://www.firstterracerecords.com/" target="_blank">https://www.firstterracerecords.com/</a><br><a href="http://www.annahomler.com/" target="_blank">http://www.annahomler.com/</a></div><div><div class="wsite-image wsite-image-border-none" style="padding-top:0px;padding-bottom:0px;margin-left:0px;margin-right:0px;text-align:left"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/published/fts003.jpg?1552598235" alt="Picture" style="width:596;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div>]]></content:encoded></item><item><title><![CDATA[Andrew Stulle (Berlin Kraut) an introduction]]></title><link><![CDATA[https://www.electroniccottage.org/lord-litter/andrew-stulle-berlin-kraut-an-introduction]]></link><comments><![CDATA[https://www.electroniccottage.org/lord-litter/andrew-stulle-berlin-kraut-an-introduction#comments]]></comments><pubDate>Sun, 03 Feb 2019 16:07:21 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.electroniccottage.org/lord-litter/andrew-stulle-berlin-kraut-an-introduction</guid><description><![CDATA[Andrew Stulle always has been some kind of "star" from a parallel world to me. In another world he probably would've been "famous". In our universe he is just too bizarre and different.Andrew Stulle is music and sound - 100%. Whatever he does turns into something which sure turns out to be 100% Andrew Stulle.The first time I *met* him was via a cassette compilation in 1984. The Berlin cassette by JAR was quite cult-ish and brought a special brand of Berlin underground. The sound that wasn't easy [...] ]]></description><content:encoded><![CDATA[<div><div class="wsite-image wsite-image-border-none" style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/andrew-stulle-center_orig.jpg" alt="Picture" style="width:auto;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Andrew Stulle always has been some kind of "star" from a parallel world to me. In another world he probably would've been "famous". In our universe he is just too bizarre and different.</span><br><br><span style="color:rgb(34, 34, 34)">Andrew Stulle is music and sound - 100%. Whatever he does turns into something which sure turns out to be 100% Andrew Stulle.</span><br><br><span style="color:rgb(34, 34, 34)">The first time I *met* him was via a cassette compilation in 1984. The Berlin cassette by JAR was quite cult-ish and brought a special brand of Berlin underground. The sound that wasn't easy to put in a category, so it definitely wasn't the cliche Berlin noise scene of those days I found there.</span><br><br><span style="color:rgb(34, 34, 34)">One band was Bollerman. Front man was Andrew Stulle, providing vocals, lyrics, keyboards, composition and more. It was obvious that the band was really able to play their instruments. If I remember that correct this was the song on the Berlin cassette - Bollerman: Apparattchic</span></div><div class="wsite-youtube" style="margin-bottom:10px;margin-top:10px;"><div class="wsite-youtube-wrapper wsite-youtube-size-auto wsite-youtube-align-center"><div class="wsite-youtube-container"><iframe src="//www.youtube.com/embed/4riD11SvKP4?wmode=opaque" frameborder="0" allowfullscreen=""></iframe></div></div></div><div class="wsite-spacer" style="height:50px;"></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Bollerman was always *between the chairs* as they say in Germany. On the one hand they had songs close to Neue deutsche Welle pop but they always spiced that with elements that took them somewhere completely different. So I guess they had problems being accepted in all cliche scenes. We liked them and I got many Bollerman release via JAR, who was distributing their releases.</span></div><div><div class="wsite-image wsite-image-border-none" style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/bollerman_orig.jpg" alt="Picture" style="width:auto;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">I became a Bollerman fan, invited them to my *Tapedepartement Radioshow* at Radio 100 and played them regularly at my shows. In 2017 I produced a Bollerman special for Radio On Berlin. The songs but one are in german but the presentation is in english langugage. So if you want to get to know a unusual Berlin band .. here it is.</span><br><span style="color:rgb(34, 34, 34)">Lord Litter's Radio On Show - 29/2017 - the Bollerman Special</span><br><a href="https://archive.org/details/lord_litters_radio_on_show_2016_29_201706" target="_blank">https://archive.org/details/lord_litters_radio_on_show_2016_29_201706</a><br><br><span style="color:rgb(34, 34, 34)">In 2016 Uegszel Yazmen, Bollerman's guitar player, died which marked the end of Bolleman. Noone can be replaced in this band. The whole story you can visit here&nbsp;</span><a href="http://www.bollerman.de/" target="_blank">http://www.bollerman.de</a><br><br><span style="color:rgb(34, 34, 34)">Here is an infotext from a Soundcloud page which offers a last 3 hour(!!) ongoing Bollerman session:</span><br><span style="color:rgb(34, 34, 34)">Bollerman emerged 1982 after "alganon", a berlin freerockband, split, with belando belandini and andrew stulle as the founding members. Uegszel yazmen (Guitarist of lutz ulbrich (ashra temple, l&uuml;&uuml;l)) joined bollerman 1983 producing the first 10inch EP with a little help of peter schwertdfeger (producer of malaria) and bommi bommarius (formely drummer of karthargo). Productions and gigs with victor vibrator (guit.) mixing "new german wave" and allstyle improvisations marked the following years, twice a year wuddn joined in on his saxophon. But Bollerman wasn't to stop at that: art projects, i.e. with designers stiletto, gordon monaham and laura kikauka (akademie der k&uuml;nste, berlin '94), tv-shows for open channel berlin (OKB) and the legendary FAB tv live concert (quartier latin) kept everybody busy. The late 90's saw new artists robert ratte, stoepsel, blasebalg, the wonderfull Bert Wax and many others contribute to the ever evolving BOLLERMAN!!!!!</span><br><a href="https://soundcloud.com/bollerman-das-letzte" target="_blank">https://soundcloud.com/bollerman-das-letzte</a><br></div><div><div id="815136337465636950" align="left" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/users/4832252&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true"></iframe></div></div><div class="wsite-spacer" style="height:50px;"></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Since the early days Andrew Stulle had an own studio, creating whatever, whenever. Here is a view into this studio, taken 2013. As so often the song is an out of the blue creation including lyrics, which are always a special aspect presenting bizarre dimensions.</span></div><div class="wsite-youtube" style="margin-bottom:10px;margin-top:10px;"><div class="wsite-youtube-wrapper wsite-youtube-size-auto wsite-youtube-align-center"><div class="wsite-youtube-container"><iframe src="//www.youtube.com/embed/WweRlxfHngA?wmode=opaque" frameborder="0" allowfullscreen=""></iframe></div></div></div><div class="wsite-spacer" style="height:50px;"></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Andrew Stulle had/has several projects with all kind of very different music/sound.</span><br><br><span style="color:rgb(34, 34, 34)">An early one was Nesthaken, described as "Porn Scratching". Unfortunately the real bizarre first LP is&nbsp; nowhere to check out. This brought Andrew Stulle a short moment on German mainstream TV, presenting his Nesthaken concept. If I remember that correct, the audience stared in disbelief and smiled helpless.</span></div><div><div class="wsite-image wsite-image-border-none" style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/andrew-stulle-and-helga-porn-scratching_orig.jpg" alt="Picture" style="width:auto;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Sometimes he likes to appear as Andrew Stulle as solo piano ballad musician.</span><br><span style="color:rgb(34, 34, 34)">Andrew Stulle (bollerman) - poet poet</span></div><div class="wsite-youtube" style="margin-bottom:10px;margin-top:10px;"><div class="wsite-youtube-wrapper wsite-youtube-size-auto wsite-youtube-align-center"><div class="wsite-youtube-container"><iframe src="//www.youtube.com/embed/Xra7ZtgRHLE?wmode=opaque" frameborder="0" allowfullscreen=""></iframe></div></div></div><div class="wsite-spacer" style="height:50px;"></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Sometimes he is FROYD, some kind of Techno Kraut</span><br><span style="color:rgb(34, 34, 34)">Froyd - abh&ouml;re eins / elektrotonstromsause</span></div><div class="wsite-youtube" style="margin-bottom:10px;margin-top:10px;"><div class="wsite-youtube-wrapper wsite-youtube-size-auto wsite-youtube-align-center"><div class="wsite-youtube-container"><iframe src="//www.youtube.com/embed/RQ-sBBTcDuQ?wmode=opaque" frameborder="0" allowfullscreen=""></iframe></div></div></div><div class="wsite-spacer" style="height:50px;"></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">A new project(?) simply as Andrew Stulle, some real bizarre creations .. or is it just sketches? ... or what the hell is this?</span><br><span style="color:rgb(34, 34, 34)">Andrew Stulle - aeusserstes Level</span></div><div class="wsite-youtube" style="margin-bottom:10px;margin-top:10px;"><div class="wsite-youtube-wrapper wsite-youtube-size-auto wsite-youtube-align-center"><div class="wsite-youtube-container"><iframe src="//www.youtube.com/embed/G3vSOITfqwo?wmode=opaque" frameborder="0" allowfullscreen=""></iframe></div></div></div><div class="wsite-spacer" style="height:50px;"></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">And a real new online release, some kind of electronic Kraut. Starts with the statement "Dialog mit den Maschinen" / "Dialogue with the machines".</span><br><span style="color:rgb(34, 34, 34)">Autopilot - Signalstation</span></div><div><div id="788456086289085689" align="left" style="width: 100%; overflow-y: hidden;" class="wcustomhtml"><iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=832322652/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless=""><a href="http://eintaktrecords.bandcamp.com/album/signalstation">Signalstation by Autopilot</a></iframe></div></div><div class="wsite-spacer" style="height:50px;"></div><div><div class="wsite-image wsite-image-border-none" style="padding-top:10px;padding-bottom:10px;margin-left:0;margin-right:0;text-align:center"><a><img src="https://www.electroniccottage.org/uploads/1/4/9/6/14969396/subway-station-rudow_orig.jpg" alt="Picture" style="width:auto;max-width:100%"></a><div style="display:block;font-size:90%"></div></div></div><div class="paragraph" style="text-align:left;"><span style="color:rgb(34, 34, 34)">Andrew Stulle is always Berlin, Berlin Kraut living in Rudow. When it was a divided city the district Rudow was almost East Berlin, deep in the heart of the East Berlin districts Treptow/Koepenick. I think that brought a special flavour to his work, a flavour one can't translate. That starts with the name "Stulle", which is translated as "sandwich". Sorry, really total nonsense, a Berlin "Stulle" has no relation whatsover to a "sandwich". The feeling/flair of a Berlin "Stulle" you can't translate - the Berlin cultural context defines a Berlin "Stulle". One song though was *famous* in the USA, a track from the Bollerman LP called "Fuck my horse", which was also appreciated by Don Campau probably not on his radioshow.</span><br><br><span style="color:rgb(34, 34, 34)">Many Berlin musicians became quite famous after the Berlin *explosion* of the 80s - most of them now totally boring to me because they joined the usual choir. Andrew Stulle always stayed in the underground..always interesting and surprising..and still around! ... somewhere in Rudow...</span></div><div class="paragraph"><span style="color:rgb(34, 34, 34)">Lord Litter, February 2019</span></div>]]></content:encoded></item></channel></rss>