Recorded from January - March 2019.
Dylan Houser: guitars; loops; distortions; splicings; ice cream trucks So far 2019 has been a very productive year. The combination of the Sony ICD-PX470 recorder (I'm not sponsored, I swear) and finally acquiring a looping pedal last summer (it only took me, what? 15 years?!) have opened up an entirely new can of worms for me, creatively speaking. Nearly everything you hear on this album is a guitar, except for the last song, "Tinker Galute," which is a looped toy keyboard riff and manipulated noise coming from the well-aged toy, plus what sounds like the occasional radio interference from having so many things plugged in. I originally wasn't going to include it on the album, but I re-listened to it and laughed all the way through. It was too hilarious to NOT have it be the closing piece. 
I've also started trying to incorporate odd timing signatures in my music again for the first time in over a decade. So far there seems to be a lot of 15/8 or 15/4 or 4/4+4/4+7/4 or whatever the heck it might be.
"Molting Riviera" is one of my favorite pieces that I've ever recorded. On that I used the "Rock On Esteban" acoustic-electric guitar that I had played at Apartment Music #29:
​Tracks 2 - 4 were recorded during the first week of March and then the entire album was mixed down and edited on March 8th.
The album cover is a found picture I had laying around while I was putting the album together. The cover, the album and track titles...basically everything came together very spontaneously, which is my preferred method. Nothing beats that, really. Enough of my rambling: I HOPE YOU ENJOY LISTENING TO THIS ALBUM AS MUCH I AS I DID CREATING IT!!! XOXOXOXOX
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Improvised and recorded on the morning of March 2nd, 2019 after a long and busy but yet somehow enjoyable night at my day-for-night job. Vinci Signature strat knockoff guitar run through a BOSS looping pedal run into the "vocal" channel, and then the guitar run through the "instrument" channel, on a Roland Cube Street EX amplifier. Recorded on a SONY ICD-PX470 dictamaphone and tweaked around in Audacity.   Artwork made in Instagram stories. To me, album artwork is important, almost as much (sometimes if not more so), than the music itself. Album artwork is still very important, especially now more than ever in the 21st century information age.  Thanks as always to Penny Grune-Fae for the awesome Hanukkah present, and to Hal McGee for having Electronic Cottage be the perfect platform to share and express our various creations.
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Dylan HouserI started recording "noise music" in early 2004, completely unaware of any "scenes" or other individuals doing this sort of thing. A lot of lo-fi recordings on a portable tape player, oftentimes guitar or bass feedback drone and delay. Archives
June 2019
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ELECTRONIC COTTAGE is an international magazine where independent artists, musicians, writers and freethinkers share in-depth articles, essays, interviews, tech and gear reviews and tutorials,
and much more.
EC draws inspiration from the Cassette Culture Revolution of the 1980s, 90s and beyond; Mail Art, Small Press and Zines, Dada, Fluxus, Punk Rock, Hacking, Circuit Bending, Anarchy, and Noise.
EC values inclusion, democracy, experimentation, independence and freedom of thought and expression, open-minded exchange, and Community.
From this moment forward the Electronic Cottage website will primarily be an online magazine for the publication of lengthy and in-depth articles, essays, and interviews.
For those of you who use Facebook I have created an Electronic Cottage Group, which will be a casual social gathering place of the EC Community, where EC people can meet, share artwork and news of current projects and releases.
The EC website will continue as before, and I encourage those of you who do not use Facebook to use the FORUM page here at the EC website to post miscellaneous thoughts and personal updates.
The website and this EC Facebook Group are two separate but connected entities of the greater EC Community.
and much more.
EC draws inspiration from the Cassette Culture Revolution of the 1980s, 90s and beyond; Mail Art, Small Press and Zines, Dada, Fluxus, Punk Rock, Hacking, Circuit Bending, Anarchy, and Noise.
EC values inclusion, democracy, experimentation, independence and freedom of thought and expression, open-minded exchange, and Community.
From this moment forward the Electronic Cottage website will primarily be an online magazine for the publication of lengthy and in-depth articles, essays, and interviews.
For those of you who use Facebook I have created an Electronic Cottage Group, which will be a casual social gathering place of the EC Community, where EC people can meet, share artwork and news of current projects and releases.
The EC website will continue as before, and I encourage those of you who do not use Facebook to use the FORUM page here at the EC website to post miscellaneous thoughts and personal updates.
The website and this EC Facebook Group are two separate but connected entities of the greater EC Community.