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Y Create Forbidden Radio Early this year I did a performance called Y Create Forbidden Radio during the (H)ear 10th Anniversary Festival in Heerlen in The Netherlands, close to the Belgium and German border.  Hessel (2018) performing Neuropa part III; Europe In Flames at The Fishhall in Haarlem Here’s an excerpt from the concert in Heerlen (also available as download): 
Y Create Forbidden Photographs In 2014 I was asked to do a performance in OT301 in Amsterdam. Part of the Headroom presentation by Martijn Comes. The Y Create Forbidden Photographs performance was filmed and recorded by Shourai Sessions and is still available on Youtube: You can download the recordings here:
 Hessel Veldman and Martijn Comes preparing their 2014 Amsterdam separate solo-gigs Check out more:
Martijn Comes (1979) is a Dutch composer who is specialised in new media, sound design and electro-acoustic composition. He graduated at the academy for Digital Communications in 2004 with a thesis on live stage performance with the aid of digital media and studied Composition for Film at the Conservatory of Amsterdam (2010). He wrote diverse works based on research in popular music, contemporary music and classical music combining elements of various acoustic+digital aesthetic, composition techniques and sound design in six releases with ‘Infinite Spaces and Beyond’ (2014), ‘Wolf’ (2015), ‘Tradition Noise (2015)’, ‘Radio Oblivion (2016)’ and ‘Interrogation of the Crystalline Sublime’ (2016) being his most recent albums, which all were critically acclaimed. His work has been broadcasted world wide on local as well as national stations like Radio 3 Spain, Polish and Norwegian National Radio, and RTÉ Ireland. He worked with filmmaker Thomas Mohr his ‘Resonance’ & ‘Learning curve’ films, which both were curated by the LIMA Media Art Platform (former NiMK). ‘Resonance’ was part of the Best Of selection of the Ars Electronica festival in 2010. He received commissions by: IO SOUND (ca), Bedouin Records (uae), Bastikaya Tapes (uae), Silent Records (usa), Time Symmetric (us), WORM Rotterdam, Moving Furniture Records, Smikkelbaard (nl), Municipality of Haarlem (nl), Oedipus Brewery Amsterdam (nl). His work for Carillon ‘EANN’ was premiered on the St Bavo Church in Haarlem, and was selected as the opening piece of the prestigious LE GUESS WHO festival, Utrecht in 2017. Martijn shared the stage and collaborated with artists as Kim Cascone, Twine, Mitchell Akiyama, Rosa Menkman, Marijn Korff de Gidts, Christian Pabst, Fred Gales, poet Martin Reints, actrice Annette Kouwenhoven, Armeno Alberts, Philippe Petit, Giulio Aldinucci, Lucrecia Dalt, Freida Abtan, Scant Intone and Orphax. Bandcamp: https://martijncomes.bandcamp.com/releases Soundcloud: https://soundcloud.com/bastakiyatapes/martijn-comes-song-of-the-rock-to-rise
5 Comments
Rafael González
12/26/2018 14:44:07
Enjoying right now! Thank you very much!
Rafael González
12/27/2018 16:26:32
Great work! I continue enjoying.
Hal McGee
12/27/2018 15:36:33
Hessel, I enjoyed listening to “Forbidden Photographs”!
Dylan Houser
12/29/2018 07:20:22
I, too, am enjoying what I'm hearing. Excellent work! Leave a Reply. |
Hessel
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ELECTRONIC COTTAGE is an international magazine where independent artists, musicians, writers and freethinkers share in-depth articles, essays, interviews, tech and gear reviews and tutorials,
and much more.
EC draws inspiration from the Cassette Culture Revolution of the 1980s, 90s and beyond; Mail Art, Small Press and Zines, Dada, Fluxus, Punk Rock, Hacking, Circuit Bending, Anarchy, and Noise.
EC values inclusion, democracy, experimentation, independence and freedom of thought and expression, open-minded exchange, and Community.
From this moment forward the Electronic Cottage website will primarily be an online magazine for the publication of lengthy and in-depth articles, essays, and interviews.
For those of you who use Facebook I have created an Electronic Cottage Group, which will be a casual social gathering place of the EC Community, where EC people can meet, share artwork and news of current projects and releases.
The EC website will continue as before, and I encourage those of you who do not use Facebook to use the FORUM page here at the EC website to post miscellaneous thoughts and personal updates.
The website and this EC Facebook Group are two separate but connected entities of the greater EC Community.
and much more.
EC draws inspiration from the Cassette Culture Revolution of the 1980s, 90s and beyond; Mail Art, Small Press and Zines, Dada, Fluxus, Punk Rock, Hacking, Circuit Bending, Anarchy, and Noise.
EC values inclusion, democracy, experimentation, independence and freedom of thought and expression, open-minded exchange, and Community.
From this moment forward the Electronic Cottage website will primarily be an online magazine for the publication of lengthy and in-depth articles, essays, and interviews.
For those of you who use Facebook I have created an Electronic Cottage Group, which will be a casual social gathering place of the EC Community, where EC people can meet, share artwork and news of current projects and releases.
The EC website will continue as before, and I encourage those of you who do not use Facebook to use the FORUM page here at the EC website to post miscellaneous thoughts and personal updates.
The website and this EC Facebook Group are two separate but connected entities of the greater EC Community.