 
"Orchestra Piece 2018" was composed and recorded with Mixcraft Pro Studio 6 and mixed down with Mixcraft 7. It was composed with "virtual" (sampled) instrument sounds, all done on the computer. Scored for flutes, oboes, clarinets, bassoons, horns, trumpets, trombones, percussion, and strings. My goal with this piece was to create a work that was as idiomatically "orchestral" as possible using sampled instruments. With sampled instruments it is easy to do a lot of things that a "real" orchestra would never do, and I wanted to avoid that. It required a lot of study and understanding of the way the various sections of the orchestra interact, and kinds of melodic contours and voicings that one hears in orchestral pieces. For example, I avoided "quantizing" the rhythms which would have made them so tight they they'd sound like they were done on a computer. Some of the entrances of choirs of instruments are staggered slightly, as is usually heard in even the most tightly rehearsed ensembles. The harmonically astringent and rhythmically disjunct sound of my work was inspired by the atonal "classical" music of the post-war period (late 1940's onward).
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Tom FurgasBorn in Youngstown, Ohio Archives |
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