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Drawings 4/28/18

4/28/2018

1 Comment

 
​Every now and then, towards the end of my work shift, I tend to doodledraw just to kill the last few minutes before I clock out, usually on Saturday mornings (I work the graveyard shift). Today (April 28th, 2018) was no exception. 

I left a bit of space blank next to one of the guys in case I wanted to use this for a mailart postcard in the near future...figures the stamp(s) might cover up some of the artwork (especially if I mail it internationally) but oh well, heh.
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1 Comment
Per-Arne Hognert
4/29/2018 12:27:02

Very nice! Love stuff like this. Might send some of my doodles to you next time.

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    Dylan Houser

    I started recording "noise music" in early 2004, completely unaware of any "scenes" or other individuals doing this sort of thing. A lot of lo-fi recordings on a portable tape player, oftentimes guitar or bass feedback drone and delay.

    In 2008, I started putting out my own releases. I had by then given up on being in any rock bands with other people and stuck to improvised solo recordings on portastudios. Between then and 2011, I think only dozen people had heard any of my releases. And then I started Hell Garbage, where I started connecting with people a lot more.

    At the end of 2012, I played my first Noise show, at St. Pete Noise Fest 5. I originally only did it on a whim and had no intention of playing live much after that. Lo and behold, the set had a good enough reception to enable me to seek out and play even more.

    Fast-forward to June 2014, where I had booked my own gig for the first time. Uncle Lou's in Orlando had dates available, and again on a whim, I took a shot at booking. It went well enough, surprisingly good turnout for a Wednesday night.

    2 years later, I moved into a house in Lakeland. Initially because it was within walking distance of my workplace...but a recent show fell through and I thought "why don't we just move the show here? As long as it's over by a certain time...I mean there's plenty of parking space..." The show was a success and nobody complained!

    AND THEN MY MIND SPLOT OPENNNN

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    ​    Lakeland, Florida, USA

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ELECTRONIC COTTAGE is an international magazine where independent artists, musicians, writers and freethinkers share in-depth articles, essays, interviews, tech and gear reviews and tutorials,
and much more.
EC draws inspiration from the Cassette Culture Revolution of the 1980s, 90s and beyond; Mail Art, Small Press and Zines, Dada, Fluxus, Punk Rock, Hacking, Circuit Bending, Anarchy, and Noise.
EC values inclusion, democracy, experimentation, independence and freedom of thought and expression, open-minded exchange, and Community.

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