The radio piece "101 Dada: listening to avant-garde vocality" is a collage processed from fragments of various audios, made in the laboratory, in November 2016 by Juan Angel Italiano.
This piece was made at the request of Alejandro Puig, to be broadcast on the Radio of the University of the Republic, 89.1 FM UNIradio. The transmission was made on September 28, 2017. The program was the first of a cycle dedicated to Dada and a podcast of it can be heard at the following address: http://archive.org/details/ElGarageDada
La pieza radiofónica “101 Dadá: a la escucha de la vocalidad vanguardista” es un collage procesado a partir de fragmentos de diversos audios, realizado en el labOratorio, en noviembre del 2016 por Juan Angel Italiano.
Dicha pieza fue realizada a pedido de Alejandro Puig, para ser trasmitida en la Radio de la Universidad de la República, 89.1 FM UNIradio. La transmisión se realizó el 28 de setiembre del 2017. El programa fue el primero de un ciclo dedicado al Dadá. Kyn-Taniya / IIIIUUUUU, Radio. Poema Inalámbrico en Trece Mensajes (1924) - Jesús Durón Cepeda y Waldo González Ramirez (2004) Lady Margot Asquith / The Events of August 1914 (1918) Eleutherios Venizelos / On the British Empire (1917) Juan Zorrilla de San Martín / Introducción a Tabaré (1910) Sara Bernhardt / Phèdre Act II Scene V (1910) Sara Bernhardt / Vive la revolution (1910) Emperor Franz-Josef I / Widows & Orphans Fund (1915) Filippo Tommaso Marinetti / Bombardamento di adrianopoli (1935) Arseny Avraamov / Symphony of sirens (1922) Von Paul Scheerbart / Kikakoku (1897) - Luis Bravo & Juan Angel Italiano (2016) Raoul Hausmann / Phonemes (1918 – grabación 1956) Tristán Tzara / Para hacer un poema dadaista, Manifiesto Sobre el amor débil y el amor amargo (1920) – Juan Angel Italiano (2016) Tristán Tzara / Aúlla, Manifiesto Sobre el amor débil y el amor amargo (1920) - Luis Bravo, Juan Angel Italiano, Eduardo de Souza (2013) Kurt Schwitters / Ursonate (1932 – grabación 1958) Tristán Tzara, Marcel Janco & Richard Huelsenbeck / Intermedio rítmico, L'amiral cherche une maison a louer (1916) - Luis Bravo & Juan Angel Italiano (2016) Kurt Schwitters / What-A-B-What-A-B-What-A-Beauty (1916) – Die Schwindlinge (2005) Kurt Schwitters / Qué b qué b qué belleza (1916) - Luis Bravo & Juan Angel Italiano (2016) Luigi Russolo / Risveglio Di Una Città (1913) Tristán Tzara / Dada es un microbio virgen, Manifiesto Sobre el amor débil y el amor amargo (1920) – Luis Bravo + Rita la cotorrita (2016) Wladimir Majakowski / Würden Sie denn (1920) Carlo Belloli / Bimba bomba (1943) – Valentina Ferraro (2004) José de Almada-Negreiros / Manifesto Anti-Dantas e Por Extenso-Poeta D'Orpheu Futurista e Tudo (1915 – gabación 1960) Johannes Baader / Einen Augenblick- Ich frage Sie, was ist Ihnen Jesús Christus- Er ist Ihnen Wurst (1918) – Jakob Gramms (2004) Germaine Albert-Birot / Entr'acte (1918) – Johny Fritz (2005) Hugo Ball / Karawane (1917) – Sonja Neuman (2005) Hugo Ball / Karawane (1917) – Luis Bravo & Juan Angel Italiano (2016) Filippo Tommaso Marinetti / Cinque sintesi radiofoniche (1933) Jamar / Polirumori di un treno in fuga (1917) – Juan Angel italiano (2016) Filippo Tommaso Marinetti / 80 Km all´ora (1917) – Juan Angel Italiano (2016) Vicente Huidobro / Canto VII, Altazor (1931) – Jaap Blonk (1992) Vicente Huidobro / Canto VII, Altazor (1931) – Luis Bravo (2015) Alfredo Mario Ferreiro / Tren en marcha (1927) – Guillermo Cano Rojas (2004) Alfredo Mario Ferreiro / Tren en marcha (1927) – Juan Angel Italiano (2008) César Vallejo / Poema XXXII, Trilce (1922) – Luis Bravo & Juan Angel Italiano (2016) Hugo Ball / Discutíamos la teoría del arte actual, Die Flucht aus der Zeit (1927) – Luis Bravo (2016) Kurt Schwitters / Anna Blume (1919 - grabación 1958) Kurt Schwitters / Anna Blume (1919) – Luis Bravo (2000) Hans Arp / Dada-Sprüche (1955) Antonin Artaud / Pour finir avec le jugement de dieu (1947) The cover art is a collage that contains the photomontage of John Heartfield "Krieg und leichen - Lie letzte hoffnung der Reichen" (1932) + the collage of Moholynagy "Ha seromin slviece" (1929) + photo taken of the Palacio Salvo during the passage del Garff Von Zeppelin on Montevideo (1934) + photograph of an American topophone (1921) El arte de tapa es un collage que contiene el fotomontaje de John Heartfield "Krieg und leichen - Lie letzte hoffnung der Reichen" (1932) + el collage de Moholynagy "Ha seromin slviece" (1929) + fotografía intervenida del Palacio Salvo durante el pasaje del Garff Von Zeppelin sobre Montevideo (1934) + fotografía de un topophone norteamericano (1921)
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ELECTRONIC COTTAGE is an international magazine where independent artists, musicians, writers and freethinkers share in-depth articles, essays, interviews, tech and gear reviews and tutorials,
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The website and this EC Facebook Group are two separate but connected entities of the greater EC Community.
and much more.
EC draws inspiration from the Cassette Culture Revolution of the 1980s, 90s and beyond; Mail Art, Small Press and Zines, Dada, Fluxus, Punk Rock, Hacking, Circuit Bending, Anarchy, and Noise.
EC values inclusion, democracy, experimentation, independence and freedom of thought and expression, open-minded exchange, and Community.
From this moment forward the Electronic Cottage website will primarily be an online magazine for the publication of lengthy and in-depth articles, essays, and interviews.
For those of you who use Facebook I have created an Electronic Cottage Group, which will be a casual social gathering place of the EC Community, where EC people can meet, share artwork and news of current projects and releases.
The EC website will continue as before, and I encourage those of you who do not use Facebook to use the FORUM page here at the EC website to post miscellaneous thoughts and personal updates.
The website and this EC Facebook Group are two separate but connected entities of the greater EC Community.